Women’s role in Wisconsin’s graphic design history since 1989.
Principal Investigator, Interdisciplinary Artist: Tamara McLean
2025 MFA Fellowship Candidate, Graphic Design Program, Art Department, UW-Madison
ABSTRACT
Women's role in Wisconsin's graphic design history since 1989 is the focus of this research.
The Wisconsin women's graphic design unwritten history and contributions to economic success to fine art academic culture and professional communities are unrecorded. In the United States, specifically Wisconsin, before 1989, Graphic Design careers were dominated by men working in printing companies. Since the Heidelberg Platen Press was introduced in 1914 and manufactured between 1923 and 1985, printing has been a physically demanding, highly-paid union job. In 1961 Letraset released a dry transfer type that democratized communications. On January 24, 1984, founder and CEO Steve Jobs debuted the first Macintosh Computer in Cupertino, California. The computer was now accessible to the masses, and desktop publishing was launched as a billion-dollar industry. This research focuses on Wisconsin's graphic design history and the role women have played. Each medium: package, visual merchandising, environmental graphic design, branding, print collateral, and web, provides a visual experience that is narrative, interactive, and tangible. This original website design tells the stories of Wisconsin women in graphic design history. A diverse group of women designers will be sought. The website showcases women's experiences working alongside men in the printing, advertising, education, freelance, in-house design departments, and design agencies throughout Wisconsin. This website includes interviews with graphic designers on a variety of career paths. Special thanks to Assistant Professor Ahn for her advisement. 

Graduate Committee: Associate Professor Sarah FitzSimons, Chair, Assistant Professor Taekyeom Lee, Professor Dr. Faisal Abdu’Allah, Professor Fred Stonehouse
They Said
Artist Statement
“They Said” investigates the experiences of women graphic designers in Wisconsin to create a captivating and thought-provoking installation within the context of environmental graphic design. The work seeks to bridge the intersection of technology and visual expression, redefining the boundaries of creativity and pushing the limits of traditional graphic design.
Co-creating with computer algorithms, the artist collaborates in a symbiotic dance where human intuition meets machine ingenuity. Through this process, the artist challenges preconceived notions of authorship and explores the potential for collaboration between human creativity and artificial intelligence.
The installation, meticulously curated for a gallery setting, invites viewers to immerse themselves in an unfolded visual narrative. The dynamic interplay of information, typography, colors, shapes, and textures forms a tapestry that resonates with the evolving landscape of technology and its impact on the visual arts.
As the images unfold within the gallery space, they evoke a sense of wonder and contemplation, prompting viewers to reflect on the evolving relationship between humans and machines throughout the past 40 years, as witnessed through the experiences of established women graphic designers in Wisconsin. The juxtaposition of AI-generated elements within the physical environment serves as a metaphor for the intersection of the virtual and the tangible, creating an immersive experience that blurs the boundaries between the digital and the real.
The artist aims to encourage discussion on the role of technology in shaping our visual culture. Inviting viewers to question the nature of creativity, the evolving role of the designer, and the limitless possibilities that emerge when human imagination collaborates with the infinite potential of artificial intelligence. Through this endeavor, the artist seeks to engage the audience in a dialogue about the future of creativity, pushing the boundaries of what is conceivable in the realm of graphic design within the ever-expanding landscape of technology.
Research
Wisconsin Statistics
4,550 Estimated Graphic Designers Employed in 2022 in Wisconsin. This estimate does not include self-employed or other job titles that may include graphic design work.
550 Estimated Art Directors Employed in 2022 in Wisconsin.
$55,180 Annual Mean Income: Graphic Designers working in Wisconsin.
$97,350 Annual Mean Income: Art Directors working in Wisconsin.
$120,000 - $190,000+ Annual Mean Income: Creative Directors working in Wisconsin.
In 2021, Wisconsin women who were full-time wage and salary workers had median usual weekly earnings of $950, or 89.4 percent of the $1,063 median usual weekly earnings of their male counterparts, the U.S. Bureau of Labor Statistics reported today. Regional Commissioner Jason Palmer noted that the 2021 women's earnings ratio was 89.4 percent compared to 86.5 percent in 2020. Nationwide, women earned $912 per week or 83.1 percent of the $1,097 median for men. The earnings comparisons in this release are on a broad level and do not control for many factors that can be important in explaining earnings differences, such as job skills and responsibilities, work experience, and specialization.                                                                   
In Wisconsin, the women’s-to-men’s earnings ratio has ranged from a low of 68.5 percent in 1997 to a high of 89.4 percent in 2021. (Data for the states began in 1997.)   
National Statistics
211,890 Estimated Graphic Designers Employed in 2022 in the United States. This estimate does not include self-employed or other job titles that may include graphic design work.
54,470 Estimated Art Directors Employed in 2022 in the United States.
$64,500 Annual Mean Income: Graphic Designers working in the United States.
$124,310 Annual Mean Income: Art Directors working in the United States.
$146,016 - $195,000+ Annual Mean Income: Creative Directors working in the United States.
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